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“I hvert fald ikke i Denmark”: Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

“I hvert fald ikke i Denmark” : Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser. / Frederiksen, Maja Mons Bissenbakker.

I: Tidskrift för genusvetenskap, Bind 4, Nr. 4, 31.12.2012, s. 57-76.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Frederiksen, MMB 2012, '“I hvert fald ikke i Denmark”: Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser', Tidskrift för genusvetenskap, bind 4, nr. 4, s. 57-76.

APA

Frederiksen, M. M. B. (2012). “I hvert fald ikke i Denmark”: Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser. Tidskrift för genusvetenskap, 4(4), 57-76.

Vancouver

Frederiksen MMB. “I hvert fald ikke i Denmark”: Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser. Tidskrift för genusvetenskap. 2012 dec 31;4(4):57-76.

Author

Frederiksen, Maja Mons Bissenbakker. / “I hvert fald ikke i Denmark” : Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser. I: Tidskrift för genusvetenskap. 2012 ; Bind 4, Nr. 4. s. 57-76.

Bibtex

@article{17fbc3a191234a75b6b22ec70dc18ebf,
title = "“I hvert fald ikke i Denmark”: Skam som nationalt orienteringsredskab i danske migrationspolitiske diskurser",
abstract = "This article investigates how the affect shame orients the national subject and the nation towards one another in Danish debates on asylum politics. Taking its starting point in Silvan Tomkin’s studies of shame as well as in Sara Ahmed’s writing on the relation between emotion and the nation, the article analyses the way in which shame creates a continuum between the nation and the national subject in asylum discourses – negative as well as positive. Specifically it is shown how shame functions as a temporal indicator that sustains narratives that idealise the nation. Reading Eve K. Sedgwick’s analysis of shaming performatives the article considers how a shaming graffiti situated in Copenhagen’s so-called “immigrant quarter” may be seen as a way of sidestepping national idealisations. More specifically it may point to the nation as what Achille Mbembe refers to as “a necropolitical state”. Albeit in ways that sustain the image of Denmark as nation free of racism.",
author = "Frederiksen, {Maja Mons Bissenbakker}",
year = "2012",
month = "12",
day = "31",
language = "Dansk",
volume = "4",
pages = "57--76",
journal = "Tidskrift foer Genusforskning",
issn = "1654-5443",
publisher = "Centrum f{\"o}r genusvetenskap, Uppsala universitet",
number = "4",

}

RIS

TY - JOUR

T1 - “I hvert fald ikke i Denmark”

T2 - Tidskrift foer Genusforskning

AU - Frederiksen, Maja Mons Bissenbakker

PY - 2012/12/31

Y1 - 2012/12/31

N2 - This article investigates how the affect shame orients the national subject and the nation towards one another in Danish debates on asylum politics. Taking its starting point in Silvan Tomkin’s studies of shame as well as in Sara Ahmed’s writing on the relation between emotion and the nation, the article analyses the way in which shame creates a continuum between the nation and the national subject in asylum discourses – negative as well as positive. Specifically it is shown how shame functions as a temporal indicator that sustains narratives that idealise the nation. Reading Eve K. Sedgwick’s analysis of shaming performatives the article considers how a shaming graffiti situated in Copenhagen’s so-called “immigrant quarter” may be seen as a way of sidestepping national idealisations. More specifically it may point to the nation as what Achille Mbembe refers to as “a necropolitical state”. Albeit in ways that sustain the image of Denmark as nation free of racism.

AB - This article investigates how the affect shame orients the national subject and the nation towards one another in Danish debates on asylum politics. Taking its starting point in Silvan Tomkin’s studies of shame as well as in Sara Ahmed’s writing on the relation between emotion and the nation, the article analyses the way in which shame creates a continuum between the nation and the national subject in asylum discourses – negative as well as positive. Specifically it is shown how shame functions as a temporal indicator that sustains narratives that idealise the nation. Reading Eve K. Sedgwick’s analysis of shaming performatives the article considers how a shaming graffiti situated in Copenhagen’s so-called “immigrant quarter” may be seen as a way of sidestepping national idealisations. More specifically it may point to the nation as what Achille Mbembe refers to as “a necropolitical state”. Albeit in ways that sustain the image of Denmark as nation free of racism.

M3 - Tidsskriftartikel

VL - 4

SP - 57

EP - 76

JO - Tidskrift foer Genusforskning

JF - Tidskrift foer Genusforskning

SN - 1654-5443

IS - 4

ER -

ID: 44146483